Dominasi dan Perkembangan Musik Keroncong dalam Ibadah Kaum Muda-Mudi Gereja Injili di Tanah Jawa di Era Disrupsi
Main Article Content
Abstract
The purpose of this study is to understand how keroncong music is dominant in times of change in the musical world, how keroncong music is currently developing, and how they can help the youth of the Evangelical Church of Java were to find out how it is evident in the worship of the Lord. Research methods were used in writing the work. This scientific method is library research. This was carried out by the author. That is a search for articles, books, and encyclopedias on topics related to the dominance and development of Keroncong music. Javanese Evangelical Church Youth Worship in Turbulent Times. The findings of this study are as follows: First, in the middle of the inevitable turbulent times, the dominance of Keroncong music begins to weaken, especially among the youth. There is Java worships evangelical church people, so care must be taken to adapt to existing changes Java evangelicalism continues to evolve with new faces and appearances. Simply as a form of following the development of existing music and maintaining keroncong music in the youth liturgy. Third, the church must embrace existing changes without losing the identity and culture that has existed in the church for many years. But without an openness to existing change, especially during turbulent times, the church will fall behind over time.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
References
Ariawan, S. (2018). Pengaruh Apresiasi Gereja Berbentuk Materi Dan Non Materi Terhadap Kualitas Pelayanan Musik Gereja Di Kota Yogyakarta. Didaktikos: Jurnal Pendidikan Agama Kristen Duta Harapan, 1(1), 8–19. https://journal.stipakdh.ac.id/index.php/didaktikos/article/view/19
Daniel, R. (2019). Digital Disruption in the Music Industry: The Case of the Compact Disc. Creative Industries Journal, 12(2), 1–8. https://doi.org/10.1080/17510694.2019.1570775
Darini, R. (2012). Keroncong: Dulu dan Kini. Mozaik, 6(2), 19–31. https://doi.org/10.21831/moz.v6i1.3875
Destiana, E. (2012). Keroncong Stamboel Sebagai Bentuk Akulturasi Budaya Urban. Pedagogia: Jurnal Pendidikan, 1(2), 153–160. https://doi.org/10.21070/pedagogia.v1i2.38
Irawati, C. W. (2022). Pelayanan Musik Dalam Praktik Ibadah Gerejawi: Studi Teologi Ibadah. Jurnal of Religious And Sicio-Cultural, 3(1), 47–60. https://jurnal.widyaagape.ac.id/index.php/jrsc/article/view/95
Jiwandono, B. R. (2023). Keroncong dalam Konteks Identitas Musik Peribadatan Gereja Kristen Jawi Wetan Simomulyo Surabaya. Repertoar Journal, 4(1), 169–179. https://journal.unesa.ac.id/index.php/Repertoar/article/view/25443
Kriswanto, A. (2020). Mennonite Indonesia: Tantangan Bernegara dan Berbudaya Bagi Gereja Injili di Tanah Jawa. Fidei: Jurnal Teologi Sistematika Dan Praktika, 3(1), 20–36. https://www.stt-tawangmangu.ac.id/e-journal/index.php/fidei/article/view/74
Kuncoro, T. (2013). Resistensi Pemusik Keroncong Terhadap Perkembangan Teknologi Modern dalam Bidang Musik (Studi Kasus Orkes Keroncong Norma Nada) [Institut Seni Indonesia Surakarta]. https://repository.isi-ska.ac.id/135/
Noryuliyanti, N., Isawati, I., & Abidin, N. F. (2021). Perkembangan Musik Keroncong Langgam di Solo (1950-1991). Diakronika, 21(2), 136–156. https://doi.org/10.24036/diakronika/vol21-iss2/190
Pahan, B. P. (2021). Perkembangan Musik Gereja Dan Interpretasi Pemusik Gereja Terhadap Nyanyian Jemaat di Gereja Sunta Kuala Kapuas. Danum Pambelum: Jurnal Teologi Dan Musik Gereja, 1(1), 118–131. https://ejournal.iaknpky.ac.id/index.php/pambelum/article/view/40
Punaji, S. (2010). Metode Penelitian Pendidikan dan Pengembangan. Kencana.
Purba, B. A. (2023). Strategi Musisi Gereja dalam Penyajian Musik Ibadah di Manado. Psalmoz: A Journal of Creative and Study of Church Music, 4(1), 33–40. https://ejournal-iakn-manado.ac.id/index.php/psalmoz/article/view/1250
Purnomo, J. E., & Yandra, Z. (2021). Buku Siswa Seni Budaya untuk SMA/MA Kelas X. Gramedia Widiasarana Indonesia.
Ramadhani, F. A., & Rachman, A. (2019). Resitensi Musik Keroncong di Era Disrupsi: Studi Kasus pada O.K Gita Puspita di Kabupaten Tegal. Jurnal Pertunjukan & Pendidikan Musik, 1(1), 41–49. https://doi.org/10.24036/musikolastika.v1i1.18
Ridwan, M., Suhar, A. M., Ulum, B., & Muhammad, F. (2021). Pentingnya Penerapan Literature Review pada Penelitian Ilmiah. Jurnal Masohi, 2(1), 42–51. http://dx.doi.org/10.36339/jmas.v2i1.427
Saragih, N. R. (2022). Buku Musik Gerejawi. Media Sains Indonesia.
Sirait, R. A. (2021). Tujuan dan Fungsi Musik dalam Ibadah Gereja. Tonika: Jurnal Penelitian Dan Pengkajian Seni, 4(1), 11–21. https://doi.org/10.37368/tonika.v4i1.234
Supiarza, H. (2021). Repertoire Keroncong Music. 3rd International Conference on Arts and Design Education (ICADE 2020), 181–184. https://doi.org/10.2991/assehr.k.210203.038
Widyasanti, N. C. (2017). Efektivitas Musik Keroncong Gerapan Orkes Keroncong Tresnawara Terhadap Audiensi Generasi Muda. Jurnal Kajian Seni, 3(2), 165–180. https://doi.org/10.22146/jksks.30042
Wijayadi, A. S. (2007). Mendayung di Antara Tradisi dan Modernitas: Sebuah Penjelajahan Ekspresi Budaya terhadap Musik Keroncong. Hanggar Kreator.
Zulkarnain, M. I. (2019). Jejak Sang Duta: Biografi Pdt. Soehadiweko Djojodihardjo. Sarana Gracia.