Linearitas Wujud Tradisi Lisan terhadap Lagu Bedandeng Suku Kutai di Kecamatan Tenggarong
Main Article Content
Abstract
Bedandeng is one of the traditional vocals found in the Kutai tribe in Tenggarong District and is sung while working (in the fields) and putting children to sleep. Currently, many young people from the Kutai tribe are not familiar with the Bedandeng song because it is rarely performed, so they do not know its musical characteristics and the context in which it is spoken. Bedandeng song research uses qualitative methods with a descriptive analysis approach to determine musical forms and (non-musical) speech contexts. There are four Bedandeng lyrics which adjust the function, place, and activities of the singer (wailing, advising, and putting the child to sleep). The four lyrics of Bedandeng have musical characteristics by Jean Ferris which include phrases (antecedents and consequents), melodies (C – D – Eb – F – G – Ab), themes (adjusting the place and activities of the singer), scale (C scale Original Minor), and uses melismatic and syllabic concepts in each of its lyrics. Context of speech is also found in Bedandeng's fourth lyrics, namely culture, situation, social, and ideology. The songs in the four Bedandeng lyrics have a linearity that is related to the musical characteristics and speech context (oral tradition) in the lyrics conveyed by the singer.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
References
Ferris, J. (2006). Music: The Art of Listening (7th ed.). McGraw-Hill Higher Education.
Hidayatullah, R., & Hasyimkan. (2016). Dasar-Dasar Musik. Arttex.
Idhartono, A. R. (2021). Pembelajaran Seni Musik dan Tari Anak Berkebutuhan Khusus. Insan Cendekia Mandiri.
Nettl, B. (2019). Teori dan Metode dalam Etnomusikologi. Ombak.
Perangin-angin, A. B., & Sibarani, R. (2016). Teori Duranti dalam Tradisi Mengket Rumah Mbaru pada Masyarakat Karo. Jurnal Penelitian Pendidikan Sosial Humaniora, 2(1), 62–69. https://jurnal-lp2m.umnaw.ac.id/index.php/JP2SH/article/view/57
Permatasari, N. I., Sibarani, R., & Zein, T. T. (2020). Performansi dan Partisipan dalam Tradisi Nangkih Masyarakat Karo. Talenta Conference Series: Local Wisdom, Social, and Arts (LWSA), 3(3), 107–111. https://doi.org/10.32734/lwsa.v3i2.897
Puguh, D. R. (2012). Pemanfaatan Tradisi Lisan di Era Globalisasi: Industri Kreatif. Mozaik Humaniora, 11(1), 22–32. https://e-journal.unair.ac.id/MOZAIK/article/view/3841
Putri, V. K. M. (2021). Tangga Nada Pentatonis dan Diatonis. Kompas.Com. https://www.kompas.com/skola/read/2021/01/22/174136969/tangga-nada-pentatonis-dan-diatonis
Raco, J. R. (2010). Metode Penelitian Kualitatif: Jenis, Karakteristik Dan Keunggulannya. Grasindo.
Rifani, A. M., & Kumayza, T. N. (2016). Hari Budaya Kabupaten Kutai Kartanegara. Mahakam Fisipol, 3(1), 1–18. https://doi.org/https://doi.org/10.53640/mahakam.v3i1.79
Sibarani, R. (2015). Pendekatan Antropolinguistik terhadap Kajian Tradisi Lisan. RETORIKA: Jurnal Ilmu Bahasa, 1(1), 1–17. https://doi.org/10.22225/jr.1.1.9.1-17
Situmorang, O., & Sibarani, R. (2021). Tradisi Budaya dan Kearifan Lokal Paulak Une dan Maningkir Tangga pada Pernikahan Batak Toba di Desa Sigapiton Kecamatan Ajibata: Kajian Antropolinguistik. Kompetensi, 14(2), 82–91. https://doi.org/10.36277/kompetensi.v14i2.49
Supanggah, R. (1995). Etnomusikologi. Yayasan Bentang Budaya.
Vivian, Y. I., Gunawan, A., & Arrazaq, F. Y. (2022). Mamanda Kutai: Karakteristik Ladon pada Lirik dan Musik Karya Mamanda Panji Berseri. Jurnal Mebang: Kajian Budaya Musik Dan Pendidikan Musik, 2(1), 19–48. https://doi.org/10.30872/mebang.v2i1.22