Degradasi Musik Gambus Paser pada Sanggar Seni Sama Duwe di Desa Suatang Keteban Kabupaten Paser
Main Article Content
Abstract
Gambus Paser music is one of the traditional art forms that is now experiencing degradation. The degradation of Gambus Paser's music occurs due to the influence of modernization, which affects the interest of the younger generation, who increasingly forget their traditional arts. In response to the degradation of Gambus Paser music, Sama Duwe Art Studio continues to make preservation efforts to maintain the values contained in Gambus Paser art. This preservation is not only carried out by the Sama Duwe Art Studio; the people of Suatang Keteban Village and the Paser Regency government must also help maintain and preserve the art of Gambus Paser music. This research uses qualitative methodology, including data collection, observation, and analysis techniques. Data collection has been done through literature studies, interviews, and documentation. The research theory used is the AGIL theory from Talcott Parson. The results showed that Paser Gambus music's degradation requires special attention from all parties. One form of community support and role can be observed from the role of the Sama Duwe Art Studio in preserving the art of Paser Gambus music in Suatang Keteban Village.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
References
Gunawan, A. (2021). Gambus Paser Performance as a Cultural Literacy Enhancement of Paser Culture For Indonesian Capital Relocation to East Borneo. International Journal of Social Science, 1(4), 341–346. https://doi.org/10.53625/ijss.v1i4.712
Gunawan, A., Vivian, Y. I., & Putra, A. K. (2022). Kontemplasi Musik Tradisi di IKN Kalimantan Timur dalam Kontinuitas dan Perubahan. Jurnal Mebang: Kajian Budaya Musik Dan Pendidikan Musik, 2(2), 111–122. https://doi.org/10.30872/mebang.v2i2.30
Hidayah, S. W. N., Nanang, M., & Sabiruddin. (2021). Makna Komunikasi Nonverbal pada Kesenian Tari Ronggeng Paser. eJournal Ilmu Komunikasi, 9(3), 68–78. https://ejournal.ilkom.fisip-unmul.ac.id/site/wp-content/uploads/2021/11/JURNAL%20SRI%20GENAP%20(11-15-21-03-49-07).pdf
Im, K., Hidayat, M., & Zulfa. (2023). Syair Smong dalam Nyanyian Warisan Penyelamatan Diri dari Bencana Tsunami Aceh Simeulue. Jurnal Seni Nasional Cikini, 9(1), 17–28. https://doi.org/10.52969/jsnc.v9i1.217
Makbu, M. (2021). Metode Pengumpulan Data dan Instrumen. https://doi.org/10.31219/osf.io/svu73
Moleong, L. J. (2017). Metodologi Penelitian Kualitatif (Edisi Revisi). Remaja Rosdakarya.
Monika, I., Nawawi, J., & Arifin, I. (2011). Kebijakan Pemerintah Daerah dalam Pelestarian Kesenian Tradisional di Kota Makassar. Government: Jurnal Ilmu Pemerintahan, 4(2), 89–96. https://journal.unhas.ac.id/index.php/government/article/view/1593
Noor, M. B. (2013). Gambus dalam Kesenian Ronggeng Paser di Kabupaten Paser Kalimantan Timur [Institut Seni Indonesia Yogyakarta]. http://digilib.isi.ac.id/10031/
Nyoman, K. R. (2010). Metodologi Penelitian: Kajian Budaya dan Ilmu Sosial Humaniora pada Umumnya. Pustaka Pelajar.
Prasetya, A., Nurdin, M. F., & Gunawan, W. (2021). Perubahan Sosial Masyarakat dalam Perspektif Sosiologi Talcott Parsons di Era New Normal. Sosietas, 11(1), 929–939. https://doi.org/10.17509/sosietas.v11i1.36088
Prastowo, A. (2011). Metode Penelitian Kualitatif dalam Perspektif Rancangan Penelitian. Ar-Ruzz Media.
Putra, B. A., Max, J. I. S. D., & Vivian, Y. I. (2020). Musik tradisi berkelanjutan untuk generasi muda Dayak Bahau. Riau Journal of Empowerment, 3(3), 161–169. https://doi.org/10.31258/raje.3.3.161-169